A group of students are aboard a Semester at Sea vessel ship which becomes damaged when it hits a dead shark floating in the water and starts to sink. As the crew attempt to repair the damage, Professor Babish decides to take the students to a nearby atoll. What they haven’t realised is that there is a deadly two-headed shark lurking in the region which begins to pick off the students as they enter the water, cutting off their escape route back to the ship. Though the atoll provides temporary refuge, it is soon apparent that it is slowly sinking into the sea. Soon there will be no hiding place from the monstrous two-headed shark.
A shark with two heads? Let’s face it fans of monster movies, the idea itself is inspired and definitely catches the attention for a few minutes if only for perverse curiosity of what the end product could be. Not content with increasing the size of their killer monsters to ‘mega’ size with the likes of Mega Shark Vs Giant Octopus and Mega Piranha, The Asylum have now decided to add extra heads to their monsters to give them that bonus bite. I’m still not entirely sold on the entire that two heads are better than one is this case especially since they both share the same body but it’s still a great selling point and makes for a kick ass DVD cover. It’s a shame that the film itself predictably fails to deliver anything nearly as inspired.
2-Headed Shark Attack completely wastes the idea of a shark with two heads, simply having the creature do exactly the same thing a normal shark would do, except that it has twice the biting power. Any uniqueness to the creature is seemingly lost apart from the title and the poster. So the film just trots off the usual shark flick clichés. I find it hard to enjoy films when they are this silly. The script is all over the place and everything happens simply to push on to the next set piece, no matter how daft or overblown it may be. I’m still not quite sure why they all had to leave the boat and head to the atoll as the crew were still aboard and it didn’t look like it was sinking. Oh yeah, there wouldn’t be a film if they hadn’t gone to the atoll.
From then on, it’s just finding enough excuses to get the teenagers into the water for them to be fed to the shark. It seems that some characters even throw themselves into the water because they believe that swimming with a two-headed shark is a lot safer than being a boat or dry land. The attack scenes are repetitive and, since the shark gets fed pretty well, you’ll be seeing the same scenarios over and over again. Predictably, the shark itself looks awful. There’s a fake head used in brief flashes during attack scenes but for 98% of the film, it’s all CGI. The shark has the ability to change size at any given situation, being as big as a boat in some shots but then being unable to fully squeeze into a partially-submerged church later on. Taking a cue from Jaws: The Revenge, this shark roars a lot and has the uncanny ability to still exist when it loses a head – did it mutate into the Hydra at some point? The scenes of it chomping through its human prey look exactly what they are – computer scenes. No explanation is given as to why it has two heads: there is some musing amongst the cast but it’s not high on the agenda.
Unfortunately even these moments provide little entertainment as the editing is so frenetic. It’s a trademark of The Asylum’s films to feature ridiculously rapid editing to keep things moving at light speed but it gets too fast and there’s rarely a moment to just sit back and take things in. Sometimes you need that it films. I’m not saying that the material on display here needs you to sit and think but in order to process images and sounds, the human brain needs a rest. Having non-stop rapid-fire editing throughout a film might make it look high-octane entertainment but it’s taxing on the brain.
Directed by Christopher Olen Ray, son of notorious low budget schlock director Fred Olen Ray (with such politically-correct films like Hollywood Chainsaw Hookers and Scream Queen Hot Tub Party on his CV), it’s clear that Olen Ray Jr. has followed in his father’s footsteps with his taste for the female form. Carmen Electra gets top billing, and although she provides a requisite bikini scene and spends the entire film parading around in tight cut-off jeans and a low top, she has a total of about ten lines. I’m sure her fee would have been better spent elsewhere. That said, her body still looks great so no complaints here!
It’s sad to say that the best thing on display here was Brooke Hogan. Despite writing off her performance before I had even watched (having already seen the disastrous Sand Sharks), Hogan does alright in her character of Kate. It’s pretty obvious she’s only getting cast because she’s the daughter of legendary wrestler Hulk Hogan and though she’s decent-ish in this, she shouldn’t give up her day job which is…..erm, being the daughter of Hulk Hogan I guess. She also spends the entire time parading around in a bikini and the script has her doing a lot of running. Go figure. At least the script isn’t making her out to be some sort of scientist. It only has her being a multi-talented handywoman who can fix boats, repair generators and rig crude explosives from oil barrels.
2-Headed Shark Attack is a predictably terrible film which relies on its gimmicky notion to sell itself – and then proceeds to do nothing different with it than hasn’t been done in x number of killer shark flicks. Two heads are better than one? Not a chance. Where is Roy Scheider and a couple of pressurised tanks when you need him?