Plot
Detective Quennell investigates a series
of murders in which the victims are found drained of blood with huge claws marks
over their bodies. His investigation takes him to good friend and entomologist
Karl Mallinger. Here he finds out that Mallinger has been conducting experiments
that have caused his daughter to morph into a giant Death's Head moth and she has
been killing the men who are attracted to her.
Review
Peter Cushing once remarked that this was
the worst film he ever took part in and he's probably not too far from the
truth. The Anglo-horror era in Britain in the 50s and 60s saw plenty of
international smash hits churned out from the likes of Hammer. But there were
also a few lesser known studios who wanted a piece of the pie and tried to
muscle in on the market to little avail. This one is from a studio called Tigon
who made the excellent The Witchfinder General but then struggled to keep
the hits coming. It's easy to see why they're forgotten about when people
continually talk about Hammer and Amicus.
The Blood Beast Terror is a complete mess. Even the worst of Hammer films
usually had some form of coherent plot which made sense no matter how stupid
some of them became. Here, there is nothing done to explain anything
that happens.
No doubt you're wondering
what the hell the plot is all about and it's never explained throughout the
course of the film. We don't know how Mallinger managed to create a moth that
big, let alone one that can change appearance between human and moth in the
blink of an eye. Nor does it explain why the moth becomes a vampire, desperately
needing blood to survive as opposed to nectar or whatever moths eat to stay
alive. I guess any reasons would have been silly but at least we'd have a
reason! It's better than clutching at straws. The film itself is terribly flat.
Not a great deal happens. There's a pointless subplot with Mallinger's servant
who continually harasses Mallinger's eagle pet with a big stick before it pecks
him to death and that plot thread ends. There's a few deaths scattered around with a
splash of blood on some of the bodies but nothing to get worked up over. The
music adds nothing to the film whatsoever, with lots of misplaced and
badly-timed cues of music which detract from some of the film's most serious
moments.
At least the acting is pretty reasonable with Peter Cushing being
flawless as always (despite the absurdity of the material on hand) and Robert Flemyng being a bit of a turncoat as
Mallinger. It's the sort of role that Cushing can do in his sleep but one which
he approaches with his traditional professionalism and ability to turn even the
worst dialogue into intelligent science and fact. Wanda Ventham stars as the
ill-fated "moth woman" and it's a thankless task. The moth
costume looks ridiculous - fancy dress hire quality with it's black bodysuit,
big red eyes and some tacked-on wings. And the finale where
Cushing builds a huge fire to attract the moth to it is so badly timed and
rushed that it's over before it begins. There's one shot of something flying
towards the fire but the
lens seems to have been out of focus so it's hard to explain what it is. Then
the film ends. I
had to read up on it in order to understand just what happened because it
was all so quick and sudden. If there is one positive, it's the great in-joke as some
students put on a play of Frankenstein in Mallinger's house. Cushing's character
peers through the window and smiles at the play, a self-referential wink to one
of his greatest performances in The Curse of Frankenstein.
Verdict
Cushing was right. The Blood Beast
Terror was the worst film he ever starred in, through no fault of his own -
but almost everyone else's. It's awful and not the way I want to remember
British horror.