Plot
Virgil Travis is a wealthy recluse who
lives in his mansion with his dwarf butler and his servant with a painted face.
He keeps a female rock band imprisoned in an electrified cage who play music
on his command. And he also has a trio of deformed, living dolls which will do
his every bidding. When some of his corporate buddies swindle him out of a million dollars,
he sends the dolls out to kill them. But he doesn't expect to fall in love
with one of them.
Review
Charles Band's monopoly of the 'little
things killing each other' genre continues with what is essentially another poor reworking of
his most successful hit,
Puppet Master, but with all manner of nonsense and silliness thrown in for
good measure. Please tell me you just read that plot and had just the smallest
bit of curiosity as to what the heck is going on here? It's easily the most
weird of all of these films, potentially the most weird film that Band has ever
directed (and it's a big field to chose from!). It's like he thought of all of
the crazy ideas they ever had for a film, stuck them in a blender and then
pulled out the resultant script. There's no other reason for almost everything
in Blood Dolls to completely bonkers beyond belief.
Blood Dolls is clearly an attempt to create another
franchise in the vein of Puppet Master as each of the little killer dolls have their own
personalities and different methods of killing. With there only being three of
them, at least their already-limited screen time is spread evenly across the
group. They look and act much like
their genre counterparts - quite cool looking little things which come to life
pretty realistically when they're in puppet form but as soon as they become
digital (no stop-motion here folks) then they look daft.
Like the majority of the
Puppet Master sequels and all of the similarly-themed Full Moon flicks, the
dolls get little screen time but at least they get to do some damage. If their
victims aren't getting their chests drilled, they are getting weights dropped on
their heads or being garroted. Don't expect anything other than lots of cheesy
gore but it's all done in the same daft spirit as the rest of the film. Most of
it is overblown but there are a few instances where Band lets the audience use
their imagination.
If the thought of little dolls
killing people wasn't weird enough, check out the rest of the film. It's just
totally manic from the get-go as two investigators head to the mansion and we're
introduced to the rock band, the dwarf, Mr Mascaro (the man servant with a
clown-painted face) and then Virgil himself, who wears a huge mask but
eventually takes it off to reveal that he has a shrunken head. It's hard to root for
anyone in this film as originally we're led to believe that Virgil, Mascaro and
the dolls will be the villains but later on in the film we come to see that
maybe he's not so bad after all and it's the slimy corporate suits that are the
real bad guys. It's nice to see evil versus evil for a change instead of some
goody-two shoes heroes. Acting wise, it's your usual mixed bag from Full Moon.
There's plenty of unknowns in the lead roles and a couple of character actors in
supporting roles. Williams Burns as Mr Mascaro is probably the best of lot.
Being able to act serious when you've got clown make-up on was probably hard to
do but he comes across as intelligent and calculated. Add in a couple of amusing
moments with S&M, some ok gore effects, some not so good, and you have a
watchable flick that doesn't take itself too seriously.
Verdict
Blood Dolls may not be Puppet
Master but at least Charles Band still knows how to create an interesting
low budget flick filled with weird characters and wacky situations. How many mainstream films can you say included most of the
mentioned above? Without being as bonkers as it is, Blood Dolls would
have been pretty hard to sit through. But at least with the end result, you're
never sure of what else is hiding around the corner.