Catacombs
(2007)
Director:
Tomm Coker / David Elliot
Starring: Shannyn Sossamon, Alecia Moore
Run Time: 88 mins
Certificate: 18
Plot Outline: Whilst visiting her sister in Paris,
Victoria visits the city's infamous catacombs where the underground rave
scene is going strong. In the 200-mile strong labyrinth of tunnels lined by
the skeletal remains of millions of people buried there, Victoria becomes
separated from the rave and becomes lost. Soon she believes that someone or
something is following her around in the dark. Or is it just her imagination
playing tricks on her?
The Review: If there's nothing better in a horror
film than a creepy setting, it's a creepy setting from real life. And in
Catacombs, you've got arguably one of the creepiest real life settings to
base a horror film in. The French ran out of room to bury their dead in the
late 18th Century and so began burying them in the old stone mines beneath
the city, turning death into literal works of art. I've been to the
underground vaults in Edinburgh and it was a bit surreal. So imagine what it
must be like to be in the catacombs of Paris with huge walls of human bones
staring at you. If there's nothing worse in a horror film, it's for it to
blow away such a great setting with terrible execution. Catacombs
makes such a mistake.
Being stranded in the catacombs and in the dark is all well and good if
something was actually made of that fact. However the writers of
Catacombs (coincidentally the directors as well) just doesn't use the
setting to it's advantage. No atmosphere is created for a setting that oozes
atmosphere just by thinking about it.
The damn thing is too dark
half of the time and the main character suffers a few blackouts, which means
the screen fades to black even more. The lighting is really bad and mainly
consists of flashlights and the odd flare here and there. This takes away
any visual impact that the film may have had. Other films have relied on
shadows and shapes in dimly-lit settings to create a sense that there's
something else there but without "clues" and pointers, there's no way of
knowing if anything is there with her. I mean the dark scares us all to a
degree and being lost in the dark in a maze is something not one of us would
really want to do, especially one filled with human bones and true history.
But staring at a black picture and listening to people screaming soon gets
annoying. The film moves pretty quickly to begin with so it's not long
before the rave is happening and Victoria is separated from it which leads
to the main part of the film. And now that the character has been separated
from the rest of the world, it's time to unleash hell. Only not quite.
Nothing is unleashed. No mad monster is let loose. The character just runs
around in the dark. There's no action. There's little chasing. There's
little excitement. There's little anything. Just the same thing over and
over again. It seems to be padding the film out as much as it can before the
finale. A film that needs as much padding as this should never have been
given the green light. It could have worked as a short story but not as a
main feature. It's little wonder to find it had a chequered history with
cinematic releases, being free-to-air on the web site and eventually finding
a home on DVD.
Shannon Sossamon is a decent
actress but in dimly lit sets and a with a terrible script, the most
daunting task she faces is having to keep making it look like she's really
scared and tired and not bored out of her head. She basically falls and
crawls around a lot, screams plenty of times and keeps saying the same
things over and over. It's hardly the most challenging role and any airhead
could have done it because you hardly see her at all anyway, just hear her
voice in the darkness. The name Alecia Moore may not be overly familiar to
you but if I said the name Pink, then I can see the light bulb going off in
your head. Using her real name to appear in this and leaving behind her
musical alter ego, Moore isn't too bad in the underwritten part of the
sister. It's not exactly the sort of role that will bridge the gap between
music and movies and if any big executives ever watched this rubbish,
they're more likely to offer her a few more album deals to stop her from
appearing in any more trash. The rest of the cast is filled with token
English-speaking French actors who serve no purpose other to party and
drink.
Final Verdict: Catacombs is dreadfully
dull, slow and monotonous. If people screaming in the dark is your thing,
then switch off the lights the next time you're having a house party. It's
guaranteed to be scarier and infinitely more exciting than this sluggish
drivel.
Rating: