Dead End (2003)

Dead End (2003)

Read the signs

It’s Christmas Eve and, on the way to the in-laws with his family, Frank Harrington decides to take a short cut for the first time in twenty years. It turns out to the biggest mistake he ever made as, stuck in the middle of nowhere with his family, a horrific chain of events is put into motion.

 

Films like Dead End are why I trawl through hours of absolute rubbish, nonsense and bizarre horror films. There is always one little nugget of gold hiding amongst the mud. A film which has received little fanfare, is little known and is most likely never going to rank on any Top 10 lists. Dead End is such a nugget. Whilst it’s never going to rank up there as one of my favourites, it’s a very solid way to spend ninety minutes.

Feeling like an extended episode of The Twilight Zone with a slight twang of every popular road trip horror movie from the last thirty years thrown in for good measure, Dead End will not impress anyone who goes in looking for something a little meatier. It’s low budget. It’s got a very simple plot. And for seasoned veterans, you’ll be able to figure out exactly where the film is heading right from the start. But that doesn’t mean to say you’re not going to enjoy it. Dead End was a total breath of fresh air for me and it’s certainly one of the better horror films I’ve seen over recent years. Sometimes it pays to keep things straightforward and a little old school and what you have with Dead End is a film with a simple hook that reels you in almost from the outset. Everything is done with a tinge of black humour just simmering underneath the surface.

Focusing on characters and engineering a really creepy vibe instead of relying on gore and cheap schlock devices, Dead End doesn’t feel like your generic American horror (with two French guys at the helm, there’s a good reason for that). Budget constraints probably forced their hand more than they would have wanted but the lack of budget has helped the duo bring out the best of a bad situation. Well-shot, with plenty of tension and lots of lurking menace, Dead End gives off a spooky vibe as soon as the proverbial hits the fan when the family are grounded along the road. It won’t give you sleepless nights but there are some well-placed jumpy moments to go along with the eeriness.

The use of this one location – the long road to nowhere – gives you the impression of no escape. There’s always the sense that something horrible could happen at any minute and you’re kept on your toes throughout. Sometimes this works, sometimes it doesn’t. A lot of things occur during the course of the film that have no explanation. It’s all part of the master plan to keep the story ticking over until the end. Sadly, for genre lovers, this end will come as no surprise to anyone and what’s worse is that there are plenty of threads and ideas left hanging. Dead End undoes all of its good work with a really poor final ten minutes.

With the film confined to one remote location, this means that there’s not going to be too many characters cluttering up the screen. So it was essential to the film’s success that these characters be well-developed: realistic, sympathetic and heroic in equal measure. Plus it was important that they weren’t annoying – it’s the kiss of death for a film when you want to see the characters die. Seeing this family unit break down amidst a nightmare scenario gives the story a central focus. Ray Wise, fresh from battling monsters in Jeepers Creepers 2, stars as Frank Harrington. I don’t want to typecast the guy but he certainly has carved out a little niche for these father-figures and it’s great to see him taking centre stage again. He’s a quality character actor and you can feel his mixed emotions and pain. Alexandra Holden, as the daughter, and Lin Shaye, as Frank’s long-suffering wife, both give quality performances too to really add to the family character. Shaye overdoes it a bit when she loses her sanity but it’s still a great performance.

 

Dead End is a refreshing horror film which proves that in this genre, real talent shines through if you have a budget of $100m or $1. The ending is a bit of a cop-out but the ride there is fun and the company is good.

 

 ★★★★★★★☆☆☆ 

 

 

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