Plot
Bubba is a mentally challenged but good natured man
who spends his spare time playing with a little girl in their local farming
community. When she is apparently mauled to death by a neighbour's dog, news
spreads around the town fast and Otis, the local mailman, forms a mob to take
down this supposed child killer. They track him down to his farm where his
mother says she hasn't seen him but the mob eventually finds Bubba hiding as a
scarecrow in the middle of the field. After taking out mob justice with their
shotguns, the men are shocked to find out that the little girl survived and
Bubba was the one who saved her from the dog. When their murder trial is thrown
out for a lack of evidence, they walk free from court. However not long after, a mysterious scarecrow begins appearing on
each of the men's property, dressed exactly the same as Bubba was when he was
murdered, and someone begins to stalk them. But who?
Review
Heralded as one of the best made-for-TV
movies ever made, Dark Night of the Scarecrow is a truly creepy little
gem of a film. Playing upon one of horror's most underused sub-genres, that of a
killer scarecrow, the film has built up a cult reputation over the years and
it's easy to see why. Don't get this mixed up with your traditional slasher
films which were hitting it big at the time - Dark Night of the Scarecrow
is all about unsettling the viewer, sending a shiver down their spine and
getting under your skin. More mysterious and with more in common with a ghost
flick, the film ticks all of the right boxes and simply doesn't take the cheap
route out with gore and body count being replaced by atmosphere and suggestion.
Dark Night of the Scarecrow kicks off with a
bang with a thrilling opening act in which culminates in mentally-challenged
innocent Bubba being hunted down and brutally dispatched by some vigilante
justice. I bet that was a tough sell to the network that originally ran it and
it still packs a punch over twenty years later. The close-ups of the scarecrow's
mask with Bubba's terrified eyes peering out are still as haunting today as they
ever were. The film never really maintains this high-energy as it then settles
down to allow the characters and suspense some time to build back up again.
There are undertones of pedophilia throughout but not between Bubba and the
little girl: their relationship is innocent as Bubba is virtually a kid in a
man's body. It's Otis who is the dodgy one, spying on the two with binoculars as
they play happily in the field and being seemingly jealous of Bubba's
relationship with Mary Lee. He has designs on getting Bubba out of the way from
the very start. Charles Durning, as Otis, makes for one really despicable
character. This guy is so vile, malicious and self-serving that it's hard to
feel anything but hate for him at all during the film. The opening scene tries a
little too hard to sell him as a nasty piece of work but once his character gets
some proper time to flesh itself out, you come to realise that he's a real
weirdo, living a dull existence without a wife, family, living in a
boardinghouse and continually wearing his postal outfit like some militaristic
uniform. Good support comes from the rest of the cast, particularly Larry Drake
as Bubba, who's brief screen time during the opening really hammers home how
cruel the mob are to him. It's rare to see such good performances from a TV
movie but this cast make the most of it.
This being a TV movie, the gore content is almost
non-existent as the death scenes shy away from showing you anything grisly. But
this works in the film's favour - when a guy falls into a wood chipper, you
won't see anything but the impact of not seeing it makes it even more shocking
than if you'd seen limbs and blood go flying everywhere. This is from the era of
horror where you didn't see every last graphic detail and the less-is-more
approach works well and enhances the overall atmosphere. The scenes are drawn
out for as long as possible, unsettling the viewer as much as possible before
pulling the trigger. The good thing is that we never see who is doing the
killing and this leaves all manner of ideas open to interpretation. Is it Bubba,
back from the dead? Is it someone who saw what happened? Just who or what is
killing off the mob one by one? Even the final reveal at the end and an
unforgettable closing scene does little to address this, leaving the viewer with
unanswered questions which will keep ticking over in your mind for days and
weeks. Although the gore and violence has been neutered for television, Dark
Night of the Scarecrow still manages to look a hell of a lot better than a lot
of full blown productions. Some of the night time shots are fantastic, really
adding to the ominous vibe. The dimly-lit farms, barns and warehouses ooze
character themselves. Anything could be lurking in the shadows and you wouldn't
know until the last minute.
Verdict
Dark Night of the
Scarecrow is proof that even TV movies can be effective if the makers are
intent on producing something more than standard (take note Sci-Fi Channel).
With fully-rounded characters, an unsettling vibe and some fantastic shots, it's
definitely one to check out should you ever manage to get hold of a copy.