Plot
In the 1820s, Dr Knox is a professor of
anatomy in Edinburgh whose research requires him access to fresh corpses. Know
begins accepting corpses from body snatchers Burke and Hare, whose sources prove
to be dubious at first. But when Knox asks for fresher corpses on a more regular
basis, Burke and Hare turn to murder in order to provide the good doctor with
bodies. When they realise they are onto a good thing, Burke and Hare become more
daring and less choosy about who they kill.
Review
Based upon the true story of notorious
grave robbers Burke and Hare, The Flesh and the Fiends is old school
horror film making at it's best. Almost impossible to find and with few people
ever knowing of it's existence, it's one of the most underrated films of it's
time and very violent and cold-hearted.
Despite being made in an era more
famous for pushing the boundaries of horror in glorious colour for the first
time (this was the Hammer era after all), this one was shot in black and white
to give it an old school 30s or 40s feel.
It's good if you're in the mood
for a talky affair because the horrors are of the man-made variety. The real horror of the film is
the way in which the wealthy and influential Knox uses the duo to his advantage,
letting them do all of the dangerous work and then reaping the rewards for
himself. He knows where the bodies are coming from but turns a blind eye because
he knows he won't take the rap for it if Burke and Hare are caught. It's sad and
a little to think what life was like at the time if you didn't have an education
- Burke and Hare's sole purpose in life is to get money to drink and entertain
women. They have no ambition. No plans for the future. They wake up every day
and wonder how they're going to get their next drink. Men without hope or a
future can be dangerous because they've got nothing to lose and this film
explores the lengths to which some would go in order to eek out a living. There are some unnecessary sub
plots which just take up screen time and go nowhere including one of Knox's
students undertaking a romance with a local whore although when the story goes
full circle there is some relevance.
Cushing is outstanding once more.
He was born to play these cold, calculating scientists and provides us with
another chilling performance of intelligence and ruthlessness. Its a role that
is not a million miles away from his portrayals of Dr Frankenstein. Both men of
science, devoted so much to their work and making progress that their ethics and
morals go out of the window. The scenes in which he cuts down his fellow doctors
with a barrage of venomous quips is awesome. Donald Pleasance portrays Hare, the more crafty of
the two grave robbers. It doesn't matter whether it was from the 50s, 60s, 70s
or 80s, Pleasance is one of those actors who has never altered. He looks exactly
the same here as he did in Halloween nearly 20 years later! I've always rated
Pleasance as a good actor and it's a shame that his career has never been as
well received as it deserves to be. He did make some stinkers in his later
career but he's always performed excellently (look at him in The Great Escape
for instance - people forget he was in that). It takes two to tango in this film
though and George Rose is equally as slimy as Burke who is the lesser
intelligent of the two and prone to caving in to Hare's demands. Together the two men create
one of the most formidable and frightening duos in history.
The director does a decent job of
creating 19th century Edinburgh with dark alleys, seedy pubs and squalid houses. There's also a very nasty
underlying vibe here, not only for the fact that is a true story but in the
manner in which it's all presented. Seeing a young retarded boy strangled to
death in a pig sty is still unsettling today. An old woman gets smothered to
death. I can see why this caused a stink with the censors. Despite not being
filmed in colour, the scenes of the corpses being dragged out of the graves or
examined by Dr Knox are brutal and very realistic. The film doesn't use the
violence and graphic make-up as it's centrepiece, opting to focus on the
characters which makes the violence all the more shocking.
Verdict
Set in a dark era in English history,
The Flesh and the Fiends works superbly as a horror or factual thriller.
I can't believe I'd left it this long to check out one of the few remaining
Peter Cushing films that I haven't seen but it was definitely worth the wait.
Cushing delivers one of his best (probably in the top three) performances and is
utterly compelling to watch.