Plot
An expedition to retrieve a huge opal goes wrong when it is revealed that the
opal is in fact the egg of a giant monster called Barugon. This beastly brute
has a deadly tongue and a rainbow beam and begins to destroy Japan. Only Gamera,
the giant turtle with flame breath and rockets in his shell can save the day.
Review
Gamera has always been seen as a poor man's Godzilla (at least during the
original series of Gamera films, not the more recent 1990s versions which kicked
ass) and you can see why. With the same sort of ideas as the Godzilla series but
clearly with one half of the budget and talent behind the camera, the Daiei
studio made
these films look like knock-off versions made by kids. As with the Godzilla
series, heck any monster series, there's only so many monster versus human plots you
can do before people get tired of it. Universal started the trend in the 30s
when they began pairing off Frankenstein, Dracula and the Wolfman to try and
revive interest once their individual series began to wane. Toho did it with
Godzilla. So Daiei took the same route and gave Gamera an opponent to fight.
This is a pretty feeble
effort to say that it's only Gamera's second outing and they looked to have run out
of creative ideas already. Barugon looks pathetic - like a
lizard/dog hybrid. He crawls on all fours and therefore doesn't physically
interact with Gamera as a two-legged opponent would during the fight scenes. His
tongue-weapon is so terrible that it has to be seen to be believed. How can the studio get away with this
as a special effect? Despite sharing the name with one of the monsters that
inhabit the Godzilla films, this Barugon is a totally different monster - except
it isn't. The name wasn't copyrighted so Daiei seem to have created exactly the
same monster to trick people into thinking it is. Back in the good old days of
low budget films, the cheap monsters were usually kept off the screen as long as
they could be because they look rubbish. Yet Barugon is on screen a lot. In fact
I think he has more screen time in this one than he did in the entire Godzilla
series. As
for Gamera, we see very little of him and therefore hardly any giant monster
battles ensue. The idea of a jet-propelled flying turtle with flame breath
doesn't lend itself to credibility but Gamera lives up to the ridiculousness of
it. The battles that do commence are short and quite uninspiring. The level of
fighting in these Daiei films compared to their Toho rivals is extremely
disappointing. At least the Toho monsters with Godzilla and co. got down and
dirty monster of the time. These monsters look like they'd disintegrate if they
made contact with each other.
In fact
the best fights in this film are between the human actors. There are two decent
fight scenes and although they are ruined by some more bad dubbing, they are
still the highlight of the film (pretty sad considering the film is about giant
monsters fighting each other). As always the human sub-plot is equally
uninteresting. This time we are given a moral story about getting greedy....blah
blah. If the studio had cut out some of the unnecessary characters they could
have spent more money on the monsters. But alas this did not happen and as a
result we are left with a very poor kaiju film. The Gamera films also lacked a
decent music score. Akira Ifukube scored most of the Godzilla films before his
death and he created some awesome signature music for Godzilla and some of the
other monsters. The fight music was always rousing and Ifukube's talent always
seemed to be wasted doing these films when he could have been scoring serious
films. Here the music is lacklustre and doesn't add to the ambiance at all. It's
not exciting and it's blandness adds to the dull, uninspiring affair that the
rest of the film tries to maintain.
Verdict
Gamera Vs Barugon is a lot worse than some of Godzilla's lesser attempts
and he saw some pretty dark days. With this only being
the second installment in the series, it was obvious things were about to get
worse! Avoid unless you are a total Gamera nutcase.