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Godzilla Vs Biollante
(1989)
Plot
Godzilla remerges from the volcano where everyone thought he
had been killed
and immediately starts to destroy Tokyo, only this time he looks to be
more
unstoppable than ever. Meanwhile a scientist has been experimenting with samples
of Godzilla's DNA and mixes it in with those of his dead daughter and a rose. This
creation grows to
enormous size and eventually becomes big enough to do battle
with Godzilla when the army fail to stop him.
Review
The long-awaited
follow up to The Return of Godzilla sees the return of Godzilla to more
familiar territory - instead of taking on just the Japanese army, he's also
fighting ludicrously thought-of monsters who want to kill him. The formula
worked for nearly twenty years back in the 50s, 60s and 70s and after Godzilla
was reborn in 1984, there's only so many Godzilla versus humans films that you can
do before you start pairing him off against other giant monsters.
Biollante is by far
the biggest ever opponent created for Godzilla but doesn't do an awful lot
although the
make-up and special effects for it are interesting to say the least. It's the
most unique of Godzilla's opponents and to say that it's a big, killer flower it certainly poses quite a menacing sight
with lots of Venus fly-trap-like tentacles. It would have been hard for the
effects team to bring something so complex to life in a believable fashion so
the question should be why bother in the first place? Why not try something
simpler and easier to animate? Godzilla is also given a meaner, more
aggressive look in this one - a far cry from the feeble robot-like monster from
the previous film or the superhero version from the late 70s. I'd have preferred to
have seen Biollante battle Godzilla a little more but obviously
the budget wouldn't extend to too many fights, especially given the complexity
of shooting with Biollante's multiple tentacles. The military also get another
ass-kicking by Godzilla as tanks, helicopters and other vehicles are
dispatched by the almighty monster. Toho has managed to work military stock
footage in with the miniatures to create good illusions of the monsters fighting
toe-to-toe with the armed forces. They've come a long way from the days of cheap
plastic miniature tanks and cardboard model cities being destroyed. However the
sheer number of failed ways of killing Godzilla that the army employ does get a
bit ridiculous. They never learn from their mistakes and come up with all manner
of weird and wonderful experimental weapons which all obviously fail.
The film has an underlying theme of "don't do
genetic engineering" which wasn't really explored much and the
human plots to which the majority of the film is based are pretty bland. The
problem with most of the Godzilla films is that they are basically two giant
monsters fighting it out but this is usually towards the end of the film. So the
rest of the film needs filling out with weak human plots to pad out the running
time and keep the audience waiting for the fights. This one contains
plenty of shoot outs between human characters, lots of silly things like fake
countries, terrorist plots and government agencies. It's all nonsense and quite
appalling really. The dubbing for the
human actors isn't great either but not many Toho films are. Koichi Sugiyama's
score lacks the passion and likeability that Akira Ifukube's scores had. The
battle scene just aren't the same without one of Ifukube's rousing scores to go
alongside the carnage. On the positive side it's quite violent for a Godzilla
film as not only the monsters exchange bloody thrusts but a human character gets
electrocuted on screen too! And it's also got continuity with The Return of
Godzilla as this one picks up straight after the events of that film. It's
something that the original series lacked and something which this later series
of Godzilla films has been keen to stress.
Verdict
I'll give Godzilla Vs Biollante
a bit of credit for trying to be a
little different but one of the reasons why Godzilla has become so popular is
the repetition factor - people like me watch these films knowing what to expect.
And when they don't deliver the requisite monster battles and little miniature
cities in abundance, there is outcry. Just like here. It's too easy to get lost
in the mix of plots, characters and continual barrage of long-winded weapons
names that when the fights come, its all irrelevant. |