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Gargoyle's Revenge
(2004)
Plot
Once thought banished forever, hideous
Gargoyles are resurrected in Romania by a series of earthquakes which
release them from their entombed prisons. Two CIA agents sent to Bucharest
to negotiate a high-profile kidnapping find themselves stuck in the middle
of an end-of-the-world scenario!
Review
Part of a "Creature Feature" triple
box set on the UK along with Snakehead Terror and The Deadly Swarm,
Gargoyle's Revenge does exactly what one would expect a low budget
production with a title like this do - and that is very little apart from
having a cool cover box. Best not try and get your expectations up too high
for this bad boy as you'll be sorely disappointed as always. When the box is
the biggest selling point of a film, you know you're in trouble.
It runs like clockwork from the very beginning. You know, a slow progression
of sightings and incidents involving the gargoyles before someone finally
realise they have a problem and decide to do something about it. There's the
back story to kick the film off, with the gargoyles being banished from
Romania by the peasants and then it fast forwards to the future where the
kidnapping transaction is taking place. You'd think this kidnap would lead
somewhere and you're right, but it doesn't lead to what you'd think. For a
completely random moment, a gargoyle swoops down from the sky and takes one
of the kidnappers into the air with it. No explanation as to why or how the
gargoyle has come to be. I guess you just accept what is happening because
the film is called Gargoyle's Revenge and damnit, I want to see
gargoyles! I don't need to have explanations, I just need the creatures to
kill!
There is something to be said about CGI and that it is the scourge of
monster movies the world over. Long before the days of computer animation,
what did these type of films use as their monsters? Either stop motion
(pretty rare though for a horror flick), a man in a suit or just good old
fashioned make-up effects and models. That is if the monsters were even
feasible to make using these techniques. Back then, the monsters were
hidden for as long as possible, sometimes to the favour of the film that it
didn't reveal it's cards too early. Now, any schmuck with a camera and a
computer can create a monster and bounce it around the set. Gargoyle's
Revenge is no exception. This would be pretty hard to make using the old
methods and you'd have seen very little of the monster if it were possible
back then. But now we get them wizzing around the screen and growling at the
camera a lot. Because they think they can do what they want on their
computers, they forget that the creatures look terrible. It'd be like making
the film the old-fashioned way and forgetting to hide the cardboard monster
because it looks poo. CGI in these low budget films is, on the whole, a pile
of absolute crap. Unconvincing monsters don't help these films in the
slightest but no one is getting the message and they keep churning them out.
The gargoyles here look pretty crappy although there is one neat moment
where one starts ripping through a cage to get to it's victim.
The cast do a pretty good job here and it's nice to see for a change.
Michael Paré isn't that bad in the lead role and Sandra Hess is attractive
enough to make me forget she's supposed to be a CIA agent. Most of the other
actors are just Romanian extras. It was shot on the cheap in Romania using
cast and crew so expect lots of Eastern European guys hanging around the
camera. Jim Wynorski, responsible for a slew of cheap and cheerful flicks
like Chopping Mall and Sorority House Massacre II, tries his
best with the material but after seeing his previous work, I wasn't
expecting a miracle. And I wasn't surprised! Scratch up another one to his
list. He keeps the film flowing though and it's never overly boring or
silly. It's just hampered by a constant lack of budget and an over-reliance
on a poor monster.
Verdict
At the end of the day, these films
rely on the quality of their monsters and when this fails, the film flops.
Gargoyle's Revenge is no exception to the rule. It's got a good pace
and doesn't really drag at any point of the film. But the gargoyle's look
terrible and you're too busy laughing to really care about the seriousness
of the film.
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