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Halloween:
Resurrection
(2002)
Plot
A group of teenagers win a
contest to spend one night in Michael Myers' childhood home where their every
move will be broadcast live over the internet via the Dangertainment website.
What they don't know is that Michael has come home.
Review
As long as cinema continues to be one of the most
popular forms of entertainment on the planet, studios will continue to crank out
sequels to their biggest franchises. They're easy ways of making quick cash and
there's always a loyal fan base to pillage whenever studios decide to fill up
their coffers for other riskier ventures. The Halloween series was in danger of
becoming a straight-to-video series after the last couple of sequels (Halloween
5: The Revenge of Michael Myers and Halloween: The Curse of Michael Myers) met
with commercial disaster and obvious critical disdain, not just from the usual
suspects but from fans of the series who had grown tired of the same rubbish.
After a few years out and with the return of Jamie Lee Curtis, Halloween: H20
was released. Hot-on-the-heels of the rebirth of
teen slashers thanks to the likes of Scream, it at least managed to be better than the previous couple of Halloween
films as well as a competent, if unremarkable slasher, on it's own merit. Despite featuring a 'definite' ending
which seemed to wrap up the series, you know that you can't keep a
good slasher down and script writers are adept at coming up with innovative ways
to get around endings, hence the illogical way they've written around Michael's
death. It's box office success made a further sequel inevitable and here we have
Halloween: Resurrection.
After seeing the trailers,
reading some previews and looking at the cast, I was bracing myself for this to
be worst of the sequels. Thankfully that isn't the case and despite the
pointlessness of the film, it's wasn't as bad as I was expecting - certainly
better than the last two sequels which had Donald Pleasance in. Unfortunately for Halloween:
Resurrection, the best part comes before the title credits right at the
beginning as Michael Myers reacquaints himself with Laurie Strode (played by a
very weary-looking Jamie Lee Curtis) and continues their epic feud. You could
quite easily stop watching right there because it's as good as anything you're
going to get out of any of the sequels, providing continuity and closure at the
same time. But Halloween: Resurrection is almost like two films rolled into
one. The intro is the link to the previous films to get the old fans on board
and tie up some loose ends and then the rest of the film is the path to what the
producers obviously hoped would be a new breed of sequels, squarely aimed at the
teenage audience who have grown up long after Michael Myers had done his best
killing work in the late 70s and early 80s. So it's hardly surprising to see
that the rest of the film isn't very deep as a group of cardboard cut-outs
shuffle their way around the old house and get murdered one-by-one. This could
be any killer stalking these teenagers around the house and Michael could easily
be switched with a generic killer with little change to the overall narrative.
In attempting to give the feel a different feel to the other sequels, director
Rick Rosenthal shoots a lot of the film from the
angles of the cameras scattered around the house. This gives it the reality show
vibe they're gunning for but it's a technique grossly overused by the time this
came out anyway. It can get a nauseating at times and frustrating at others, especially
when you're trying to get a good look at what is going on. This does work in the
film's favour at times though, particularly in the way in which director Rick Rosenthal
presents Michael Myers. Instead of showing him in direct full close-ups, a lot
of the footage of Michael is seen through the characters' cameras which is
presumably an attempt to give him that supernatural feel back like he had in the
original where he was rarely seen in full.
However when Michael Myers is the best developed character in
your film, you've got problems. Granted we've had him star in six previous films
but you'll care more about him than the cardboard cast of teenagers. One of the
strengths of the earlier films was that unlike Jason and Freddy, as an audience
we never really allowed Michael Myers to turn into an anti-hero where we would
start cheering him on as he sliced his way through Haddonfield. There was always
Jamie Lee Curtis' Laurie Strode, Danielle Harris' Jamie Lloyd and of course,
Donald Pleasance's Dr Loomis to keep the audience on the right side. Yes, the
sequels contained their fair share of fodder characters we no doubt liked to see
perish but this trio of sympathetic characters has never allowed us to fully
cheer Michael on. We wanted to see the three of them survive and thus see
Michael fail. There's no chance of that happening in this one. With no one to
side with, we want to see Michael destroy this group of characters as painfully
and quickly as possible. Busta Rhymes tops that list with ease. His "trick or
treat motherf****r" line must rank up there with the lowest point of the series.
To be fair, at least you'll remember his character for the wrong reasons. The
same can't be said for the rest of the cast who make no impression whatsoever
and are simply hanging around to be bumped off. In this respect, Halloween:
Resurrection plays it safe. Rosenthal borrows too heavily from the previous films for the
kills: there's a head-crushing and the now-traditional shot of Michael
stabbing someone before lifting them off the floor with the knife still firmly
stuck inside.
The ending also left the way open for another sequel but,
thankfully (or maybe not given what was to come) this had not come to fruition
by the time of writing and instead, we were given Rob Zombie's 're-imagining' of
the original. On that note, I'll end the review.....
Verdict
Halloween: Resurrection has a very strong opening ten minutes which ranks
up there with the best bits of the series. From then on it's a downward spiral
of mediocrity until it reaches rock bottom with Busta Rhymes dishing out some
martial arts moves on one
of the icons of horror. It's a poor way for the original incarnation of Michael
Myers to bow out but the series could have done a lot worse to send him off. |