Plot
After witnessing the brutal murder of
his family by a monster when he was young, Jack Brooks has struggled with
anger management. He has a dead-end plumbing job, goes to see his
psychiatrist regularly and attends night school. The professor teaching his
class asks him over to his new house to see if he can fix a problem with the
pipes. Jack agrees to help out but unwittingly releases an evil force that
possesses the professor and slowly transforms him into a blood-thirsty
monster. Can Jack overcome his fear of monsters to rid the world of this
menace?
Review
All too recently, horror films have turned into mindless
remakes, rehashes or belated sequels to older titles. Directors and writers have
been too content with homaging the films they grew up on. They've been
reverting back to a past time (namely the 80s) when horror meant anything
goes and that the genre was arguably in it's most creative period. The only limitations to imagination were budgets or censors. Can you
imagine something as unique as The Evil Dead getting the green light
in the 90s or 00s? There's not a cat in hell's chance of that! Along
comes director and co-writer John Knautz to blast away that notion with one
swipe of his plumber's wrench. Jack Brooks: Monster Slayer is just
splendid entertainment. Knautz clearly has a love for the genre but whereas
other directors haven't had a clue how to channel the energy from the 80s
horror comedies and seem just content to remake them, Knautz has a vision
and knows how to mix the exact same ingredients that made this type of film
such a loveable hit back in the day. It's a homage but it's also a very
clever attempt to re-establish this type of film into the modern genre.
Trevor Matthews is great in the lead role. He channels the seriousness and
infectious enthusiasm of an early Bruce Campbell. This isn't the new Evil
Dead by a long shot but it's a great step in the direction. He tries to
play his role as straight as possible but the jokes he makes are genuinely
funny (his numerous angry rants to his psychiatrist are brilliant) and the
situations he finds himself in are absurdly top drawer. When all hell breaks
loose around him, Matthews is the only one to keep a straight face and not
ham it up.
Robert Englund is also on top form in a comedic turn as the professor who
turns into a hideous monster. The role requires Englund to do a lot of
physical comedy early on in the film as he struggles to control his
monstrous urges. Englund duly obliges with one of his best ever
performances and steals the show by a mile. You won't be able to control
your laughter after he he first becomes possessed by the evil force and
takes his first class, belching and throwing up all over the place. The
best bit of the film is the discarding of CGI and return to good old
fashioned make-up effects. The monsters look great and have a realistic look and
feel to them that CGI just couldn't give. They are gooey, revolting and
horrifying in equal measure and the film is not afraid to get down and dirty
with the grime and slime. Just check out the lard ass monster that Robert
Englund eventually turns into. Imagine if that had been done with CGI? It
just wouldn't have the same impact or realism. It's great to see a film that
has shunned modern technology in some aspects (i.e. the CGI) but has
embraced advances in other technology to make the monsters look superb. Guys
in suits have never looked more realistic.
The
only real flaw in the film is the pacing. The film takes a good hour to get
everything firmly established and by the time the action kicks in and the
monsters begin to fall, it does seem like it's too late in the day.
Apparently it was meant to be the first of many straight-to-DVD sequels
(obviously depending on the success of this one) so the origin tale is the
focus of most of the film, telling us how Jack Brooks came to be the person
he is. The story isn't that great in all honesty but, coupled with the
performances of Matthews and Englund, it's enough to keep the film ticking
over until the final third where he embraces his anger and turns into the
monster slayer. This is definitely one film that most horror fans and even
non-horror fans could enjoy. It doesn't pander to fan boys. It doesn't try
to overcomplicate things. And it doesn't just rehash another film like most
horrors have been content to do recently.
Verdict
Jack Brooks: Monster Slayer has
restored my faith in the system to produce top quality entertaining
horror-comedies like they used to.
Jon Knautz may have
not tried to make the next cult genre flick but I think he has. Long live
Jack Brooks and it's (hopefully) many sequels. If they show as much
creativity, love and entertainment as this, I think we're in for a good
franchise.