Plot
Thirty years ago, Ray witnessed the
death of his parents at the hands of a giant squid. Now determined to get
revenge for his loss, he joins up with Nicole, an archaeologist who is
searching for a fabled Greek opal and whose location is guarded by the squid
itself. But a ruthless crime lord is also on the trail of the opal and will
do anything to get it.
Review
The good old Sc-Fi Channel has once
again outdone itself in mediocrity. Not content with churning out such genre
tripe as Attack of the Sabretooth, Hammerhead and
Pterodactyl, it has decided to go back into the water for another
aquatic-bound feature. This time sharks and mutated fish are not the source,
it's the giant squid. I've always been keen to see a decent giant squid
flick since I saw 20,000 Leagues Under the Sea in which Kirk Douglas
and co. battle a rubber squid. I'm going to have to keep on waiting because
this mess of a film isn't going to convince anyone that there's a giant
squid involved, let alone anything resembling a decent plot.
Once again don't sit down to watch a film with
this level of budget and expect to see the squid tearing people apart every
moment of screen time. You know what to expect before you do watch it,
unfortunately you don't know how badly your meagre expectations are going to
be let down. For a film about a giant squid, you'd think the beast has
joined the witness protection program. Apart from a few early moments and
then the inevitable showdown at the end, the squid is hardly anywhere to be
seen. In fact it's not only hidden from view, it seems that no one really
cares less about it as most of the conversations are directed towards
obtaining the opal (or with characters trying to make out with each other).
With this being the Sci-Fi Channel, it can't just be content with having a
group of people all on the same side fighting off the said monster of the
film. No, they've got to throw in all manner of crime lords, mad scientists,
psychotic soldiers, terrorists and general nefarious bad guys to conflict
with our heroes. In reality all it does is provide these films with human
villains so that they don't have to show the monsters as much. And it also
gives us a few more unnecessary bad guys to feed to our monster. After all,
we can't have any of the good main characters being offered up as monster
fodder can we? Jeez I remember the days when no one was sacred in a horror
flick (Spielberg feeding that Kitner boy to the shark in Jaws springs
to mind)
The CGI squid rears it's ugly head on few
occasions and looks terrible when it does. The actors have no ability to
interact with it whatsoever. I guess it's hard trying to act as if an
imaginary squid is trying to kill you without seeing anything there and
waiting for the CGI to be superimposed at a later date. But at least the
actors here could try. There's a major problem with how the squid is
portrayed too. In some scenes, the squid is clever enough to slice open
scuba divers' air hoses and in other scenes it drags it's intended prey
under the water, only to realise them a few moments later for no apparent
reason. Of course we know that any good characters attacked by the squid
will be ok and any of the villains who are munched will not be so lucky.
Also thrown in is a random boat of teenagers - their scene providing
absolutely nothing to the film apart from three more bodies and the chance
to attach Christa Campbell's name to the production. An easy pay cheque for
her it may be but I would have refused to pay the others in the cast.
Charlie O'Connell looks like a total meat axe and comes off sounding just as
thick and wooden. Victoria Pratt does little else but hog the screen in a
bikini. Why are all of these scientists hot blondes? I need to get a new
job! Also appearing is Jack Scalia as the crime boss. Quite what his
organisation does is really of no interest to me and it's a good job because
you're not going to get much more than "I'm a bad guy, boo me" plot
development for him.
Verdict
Throughout this film I was
constantly reminded of the far superior mini-series The Beast, based
on the novel by Peter Benchley. Although the effects looked just about as
ropey at times, the emphasis was still on the squid. Kraken: Tentacles of
the Deep seems to be a piss poor thriller about an ancient Greek opal
with a bit of squid thrown in for good measure. It's like renaming
Raiders of the Lost Ark something like Snake Attack! for the
brief moments that the snakes harass our hero. Definitely one to feed to the
fishes.
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