Killer Klowns From Outer Space (1988)

Killer Klowns From Outer Space (1988)

In Space No One Can Eat Ice Cream!

Mike and Debbie, a pair of young lovers, decide to follow a shooting star that has landed outside of their hometown and they discover a mysterious circus tent in the middle of the woods. Exploring inside, they find dead people hanging in what looks like candy floss cocoons and sinister clown-looking aliens walking around.  Rushing in to town to alert the local police, they are frustrated when no one believes them and thinks it’s a prank. They don’t realise that the clowns have followed them into town.

 

An affectionate throwback to the 50s sci-fi flicks of the past that used to be shown in drive-ins (The Blob immediately springs to mind), Killer Klowns from Outer Space has garnered one of the biggest cult followings known. And there’s a good reason for that. For all its silliness and ridiculousness, it’s one of the most creative horror-comedies to come out of the 80s and certainly something that you’ll not likely to see replicated any time soon. This is a film which does anything and everything it can to live up to the promise of its title, a true labour of love from its directing team.

Killer Klowns from Outer Space is the perfect example of a film which exists solely based on its central idea. Everything you can associate with clowns and the circus is brought to life and twisted into all manner of horrific forms – balloon animals come to life, pieces of popcorn are eggs for clown-headed snake monsters, cream pies are laced with acid, Punch and Judy shows take on sinister new meanings, giant shadow puppets eat spectators and the clowns make human ventriloquist dummies. It’s a film full of wacky and kooky ideas and your enjoyment of the film will depend on whether you can suspend your disbelief for a while and enjoy the sheer creativity on display. The film doesn’t pull any punches when it comes to delivering on the absurd premise – these are aliens that just so happen to look like clowns after all. But for each of the bad taste kills, there is a nightmarish quality that lies under the surface once we find out just why the aliens have landed on Earth.

The plot is structured exactly the same way as those 50s sci-fi films, where the young heroes discover a threat, try to warn the adults, are ignored and then have to save the day when the threat comes to town. Of course, the audience are in on the act from the start as we see exactly what Mike and Debbie have uncovered but the dramatic irony is that no one else believes them for the stupidity of the story they appear to be concocting. Killer Klowns From Outer Space is extremely pacey and the klowns are on the screen right from the early going – no slow reveals here. The narrative can sometimes be too dependent on the loose collection of kill scenes and klown set pieces strung together, but it doesn’t really need to be doing anything overly dramatic. Simplicity is the key here.

The Chiodo Brothers were known for their effects work so it’s no surprise to see that the film’s strengths lie in the production values, the sets, the make-up and, of course, the special effects. With a low budget, the Chiodos know how to get maximum mileage from the tools at their disposal. Apart from some obvious miniature and composition work during the finale with Klownzilla, the special effects generally hold up. The ray guns that turn people into the cocoons are a simple effect and the spaceship itself looks decent as it takes off. The sets are colourful and wacky, like you’d get in some Halloween haunted house attraction, and really add to the aesthetics. Literally everything you seen on the screen to do with the klowns has been designed to perfection. It’s attention to detail on a grand scale.

But the undoubted stars of the show are the ‘klowns’ themselves. Believe me, if you ever had Coulrophobia (a fear of clowns) then you’ll want to stay well clear of this one as these creatures are terrifying. The demonic rubber masks give them human qualities, with just the right amount of Otherworldliness – you know these chaps aren’t local lads from Barnums! Generally tall and imposing, with huge red noses, sharp animalistic teeth and hairdos which must have taken ages to style properly, give the clowns a menacing physical presence despite the cartoonish appearance. The costumes look fantastic too and during the finale you really get to see just how many variations with both make-up and costumes they created for the film.

The cast isn’t particularly brilliant – both Grant Camer and Suzanne Snyder were hardly ever going to make it big after this but their relationship on-screen is good enough to pass muster. Likewise, for the annoying comic relief sidekicks Michael Siegel and Peter Licassi, though most of their irritability comes from the script trying to make them funny rather than anything they do personally. It’s veteran hand John Vernon who steals the show as grouchy Officer Mooney, the old-fashioned cop who believes in being sterner with the younger generation. Vernon gets to spout the infamous “You’ll never make a dummy out of me” line, oblivious to the fate that the klowns have planned for him.

Topping off the film is an excellent soundtrack from John Masssari, with plenty of calliope-style circus tunes suitably matching up what is happening on screen – the perfect combination of light-hearted fun and dark, brooding danger. There’s also a highly-catchy punk theme song by The Dickies, which bookends both sets of credits nicely. They just don’t make soundtracks like they used to!

 

In a genre filled with knock-offs, copy-cats and derivative rehashes, Killer Klowns From Outer Space is arguably the most unique and original comedy-horror ever made. The Chiodo Brothers had a wacky vision for a film and they saw it through to the very end with this fantastic amalgamation of ideas and practicality. Time has been extremely kind to this film and the whole production design still looks fantastic.

 

 ★★★★★★★★★★ 

 

 

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