In search of a new energy source, Russia accidentally reawakens the Kolossus – a giant robot doomsday device from the Cold War – which goes on a destructive rampage. At the same time, a new Mega Shark appears, threatening global security.
The fourth instalment in the Mega Shark series (and that’s something I never thought I’d hear myself say) sees The Asylum return to their crazy nonsensical shenanigans, devising the most ludicrous films out of the most preposterous ideas and throwing them out there, knowing that their outlandish titles will always generate some buzz. Granted, the first Mega Shark Vs Giant Octopus did garner a lot of undeserved media attention when the trailer was released, only for people to realise how truly awful it actually was when the full film hit. It wasn’t just the silly concept, it was everything about the production. Despite critical scorn, The Asylum have gone on to make an ever-increasing number of these type of films ranging from Mega Python vs. Gatoroid to the Sharknado films.
With Mega Shark Vs Kolossus, it doesn’t look like The Asylum are going to change their ways any time soon. Cue the usual cardinal sins: ridiculously fast editing where scenes literally last no more than ten seconds before another cut hits; incidental music which attempts to make the film more exciting than it is; a couple of ‘famous faces’ who have been lured in to starring in such low budget nonsense (Illeana Douglas and Patrick Bachau this time around) where you see them and say “I remember their face but not their name” before going onto IMDB to find out; lots of scenes of military types standing around talking about the shark; lots of scenes of people looking into computer screens in small rooms (presumably the only set); lots of scenes of science-type character talking a lot of science fiction gobbledegook; ropey CGI graphics which don’t even appear to be at PlayStation One level yet; and plenty of camera shaking. I could go on but if you’ve seen one Asylum film, you’ve seen them all.
The major issue, and an obvious one, with Mega Shark Vs Kolossus is that it is clearly the unification of two separate films or ideas. Kolossus was obviously designed for its own film but Mega Shark got slapped in to add some name recognition to proceedings in the faint hope of selling more copies. It’s clear to see because the two monsters exist almost in their own little films for the majority of the running time, with Kolossus being reawakened with all manner of Soviet spies and mercenaries chasing it around and Mega Shark reacquainting itself with the American navy. It’s only in the final third where the two plots begin to crossover and even then the linking material is sketchy at best.
Mega Shark doesn’t actually get to tussle with Kolossus until the end of the film, though this is nothing new as the majority of these big ‘VS’ films rarely deliver until the finale (this goes all the way back to the early Godzilla films where the Big G would spend most of the film travelling to fight the monster-of-the-moment before engaging with it at the end). The fight is as pitiful as you’d expect given that one monster is organic, the other one is a robot with a big-ass laser beam weapon.
It’s a scant consolation prize for someone who has had to sit through the mind-numbingly painful scenes of the human cast emitting what seems to be dialogue from their mouths. But I thought dialogue was meant to develop characters and add something to the story, rather than just seemingly pass the time between these inane sequences of characters talking about the shark or Kolossus. They’re not engaging characters who you want to see prevail. You’ll not remember any of their names at the end. You’ll not see any of them develop as a character from the opening to the ending. They’re literally talking clichés, designed to act as a transition between the frames of footage. It’s awful filmmaking and that’s not a criticism of just Mega Shark Vs Kolossus but of The Asylum films as a whole. I know that few people go into these films hoping for an Oscar-winning performance but isn’t it funny how the most memorable monster movies are those with decent casts, decent scripts and identifiable characters who make the monstrous threat appear more realistic and more threatening (Tremors, Jaws, The Fly, King Kong, The Thing, Aliens, An American Werewolf in London, Predator, etc. – I could go on).
Like sitting and watching your best mate play a rubbish computer game for hours upon end, Mega Shark Vs Kolossus is a terrible way to pass the time. Best to hop onto Youtube, search for the best bit and watch it without having to endure the torment of the journey there. Please stop this franchise. Stop it right now!