Plot
Egyptian high priest Mehemet Bay takes Kharis, the living mummy, to America to kill the survivors
of the original expedition which desecrated the tomb of Princess Ananka many
years earlier.
Review
It's pretty impossible to find a mummy film which doesn't stick to the same
rigid plot
about desecrating tombs and extracting revenge. After all, it's like having a
Frankenstein film without the scientist creating some form of monster.
The
Mummy's Tomb is no exception to the all-too-familiar story of a mummy
taking revenge upon an expedition for desecrating the tomb of a princess. If
you think you're going to see anything different, then you're in for a shock
because the film is by-the-book to the letter. There's no tension or suspense
as the film quickly shifts into a lumbering routine of stalk and kill.
There's no real build-up to anything, it just happens. With a short running time of
seventy one
minutes you'd think this would get straight into the thick of it and it almost
does but we're given a gratuitous amount of flashback footage from the
previous film to explain what is going on. This lasts for about a quarter of an
hour and therefore you're not left with a lot of remaining time for fresh
material. What does make this feel like more of a sequel than most is it's
inclusion of the surviving cast from The Mummy's Hand. Watching the
two films back-to-back adds continuity to the series (and even by adding the
two films, you'd still only get a film a little more than two hours long).
Here, the survivors are made-up to look thirty years older which is the
length of time between the events in this fictional world even though in real
life, the gap was only two. The survivors don't do much except meet their
demises (some would say they get what they deserve for their desecration) and
then it's up to the newer characters to carry the film. But they're all too
thinly characterised to warrant any real audience attention.
Horror
legend Lon Chaney Jr. puts on the costume of bandages to portray Kharis.
Hardly a monster for any actor to really shine through the layers of make-up,
Chaney Jr. doesn't make much of an impression. The mummy has turned into a
characterless cliché devoid of personality or traits. It's now simply a
screen monster, not a tragic character full of secret love for his princess.
The mummy doesn't do anything but slowly and aimlessly mill it's away around
the town looking for it's next victim. Even when it tracks down the next
target, the characters just stand there and wait for this monster to slowly
shuffle over to them and then let it strangle them to death. Why not get the
hell out there? A man with no legs could out run this fiend. There are a
couple of effective shots of the mummy traipsing through the forest but the
cinematographer doesn't do the mummy any justice whatsoever, constantly
thrusting it into well-lit sets where all of it's shabby attire is evident.
Funnily enough out of the three mummy films that Chaney Jr. made, the make-up
in this one is the most impressive. He'd eventually look like a man in jeans
and a white t-shirt by the time the budgets were cut for The Mummy's Ghost.
Verdict
The Mummy's Tomb is one of the weaker mummy films from the Universal
stable but when they're all basically the same film anyway, that's a good thing
or a bad thing depending on your taste for the living mummies. At just over an
hour long, it outstays it's welcome long before the final credit rolls.