Plot
Four college students head down to a
swamp in a small Southern community in order to gain extra credits by
helping a scientist with his research into Asian swamp eels, which are
threatening the local eco-system. However they soon find out that, in an
attempt to make the eels sterile, the scientist has in fact created a giant
mutant eel which has an appetite far greater than the fish in the lake and
is soon eating it's way through the local population.
Review
Here we go again! Another straight-to-DVD creature
feature flick comes crawling out of the swamp, bringing with it a pungent
smell of nasty swamp water and squelching it's muddy feet all over the
ground. Razortooth is the ultimate craptacular mix of two of the most
over-populated creature feature sub-genres: the giant snake flick (come on,
an eel is a snake in all but name) and that of the aquatic creature
sub-genre (you really struggle to find suitable monsters except sharks in
this genre). This means that there are double the clichés, double the
possibilities and double the rubbish. You'll see eels do things you could
never dream of. You'll see special effects so bottom grade, that it's like
watching a game of Pong after playing on Gears of War. You'll see a
never-ending supply of stereotypes foolishly hang around the swamp. The list
is endless. Needless to say that Razortooth is hard going for those
of who us who have been weaned on this sort of staple creature feature diet.
There's just no story left to tell in these films anymore. Simply swap the
creature and you've got an entirely new film.
Right from the opening scenes of the eel
munching it's way through a group of cops chasing after some escaped
fugitives, the film becomes more of a endurance test than an actual
pleasure. How many times have you watched your favourite film? Have you got
to the stage where you can recite lines of dialogue and you know the exact
scene that is coming up next? Well watching Razortooth for the first
time almost feels like you're watching your favourite film for the 50th
time. Dialogue is predictable. Characters do what you expect them to do. The
film pans out in the precise manner that it should do and why is that?
Because it's so predictable and you've seen this before, just under names
like Frankenfish and Sea Beast. I keep watching them because
there's an odd one or two that actually do something slightly different with
the material. But to find that gem, you've got to sift through way too much
rubbish. So go on then, roll out the creature feature
character clichés
please..........wildlife expert and local authority figure team up to stop
the eel. Check. "Southern" community stereotypes including the trailer trash
clan, the gun nut and the fat redneck who just eats Southern fried chicken.
Check. A couple of jocks, a nerdy girl and a nerdy guy. Check. Loads of
random townsfolk to provide fodder. Check. The scientist who has created a
monster and is trying to protect it. Check. There's just no one to root for
- the two leads are more bothered about rekindling their marriage than they
are trying to kill the eel. Give us some sympathetic characters we can
associate with and then maybe you have room to work with the script. The
dialogue is terrible and at one ironic moment, one of the students says that
"I've seen this movie before." So have we, mate! The moment in question is
probably the highlight of the film for me as it spoofs a scene from
Tremors (where they pick up the old farmer's hat and find his severed
head lying underneath). Being that the highlight is from another film, it's
a sad indication of how little I enjoyed this.
The eel looks like one of the
leftover heads from Hydra with it's huge teeth and shiny, dome-head.
I could almost imagine this thing popping up in Finding Nemo as it's
not scary in the slightest. Once again, the eel moves way too fluently and
quickly for you to suspend your belief for a moment and accept that it is
real. After all, that's the intention isn't it? This thing glides through
the water with ease, climbs up trees to perform overhead ambushes and is
able to squeeze through tiny water pipes in order to suck it's victims
through shower holes. In one laughable moment, some poor schmuck gets pulled
down into his portaloo. Having something crawl out of the toilet to bite you
is a pretty common fear but it's handled here in such a ridiculous manner
that the next time I suspect something is coming up, I'll drop a few more
pounds down to finish it off! There's plenty of CGI gore too as the eel
likes biting body parts off some victims and swallowing others hole. It does
get well fed although plot holes crop up like crazy when the eel kills off
some people almost instantly (the fodder characters) but decides to swim
around others for a bit, playing with them before letting them go.
Verdict
Enough with the creature features already!
Razortooth isn't as abysmal as I'm making out, especially if you haven't
seen too many of these type of films. But for anyone else, just buy the
damned film, stick it on your shelf and make a note never to watch it unless
the end of the world is nigh.