A group of teenage friends head off to the Mountain Man Festival on Halloween but get more than they bargained for when they almost run down a stranger on the way. Looking to help him, the stranger attacks the teenagers but they choose the wrong time to fight back as the local sheriff turns up and arrests them all. Once locked up, the stranger is revealed to have been on the run for thirty years for murder. What’s even worse is that his cannibal family know that he’s been imprisoned and are heading to the police station to free him by any means necessary.
Director Declan O’Brien is back to helm his third entry into the series and just when I thought he’d picked up the slack with Wrong Turn 4: Bloody Beginnings, things degenerate here back to the way that Wrong Turn 3: Left for Dead was headed. Wrong Turn 5: Bloodlines sadly sees the series limp back a little towards the doldrums after the enjoyable antics of the previous film.
Filmed in 19 days on a studio lot in Bulgaria, it reeks of cheapness from the opening minutes. Gone is the glossy, polished look that the last one had (and which belied its actual budget) and we’re now squarely in the straight-to-DVD quality zone. You know the type of film and can tell by the grainy look of it that this wasn’t made to showcase some serious coin on the screen. Even the make-up and masks that the hillbillies wear seems to have been purchased at the local fancy dress shop.
Wrong Turn 5: Bloodlines is like The Texas Chain Saw Massacre Meets Assault on Precinct 13, though don’t let that comparison lull you in to a false of security. The Assault on Precinct 13 idea fails to manifest itself in the way it apparently sets itself up as and as for The Texas Chain Saw Massacre comparisons – psychotic giggling hillbillies who carve up and eat American teenagers – is the only real point of similarity. Considering that the purpose of the group is to break their father-figure out of prison, they sure as hell take their time, attacking and killing everyone that goes out of their way to fall into their clutches. Every scene that the cannibals are not on the screen just serves as filler for their next appearance and assault on an unlucky victim. It’s stale writing and also stupid – the characters continue to bail on the best-defended building in the entire town to go outside for various reasons.
To say that this town is supposed to be teaming with tourists for the Mountain Man Festival, it’s a ghost town and considering all of the gunshots, car crashes and explosions going on, there’s not a soul to be seen. It’s clearly a cheap studio backlot with plywood buildings and which features one or two smaller sets such as the jail and that’s about it. You’ll wish for the return of the abandoned asylum from the last one. Budgetary reasons are obviously to blame here but then surely the script writer needed to work around this by making the plot at least reasonably believable.
One of the main issues I have with this one is how smart and cunning the cannibals have seemingly become since the earlier films. Not only content with isolating the town by cutting off the phones and then taking out the electricity in two separate incidents, they seem to have been learning a thing or two from Jigsaw from the Saw franchise as their methods of execution seem to get more complex in every films. Cooking characters alive in a flaming barrel, tying them to the back of a pick-up and then smashing their knees into a pulp, crucifying victims in mid-air with electrical cables or even digging a hole in the ground, burying one victim up to the head and then running them over with a thresher – not exactly ways to execute people quickly and they would have taken some copious planning. Whilst the kills are all creative, the gore looks to be a little on the cheaper side than previous sequels but I think that’s just how the film looks on screen.
Horror legend Doug Bradley, most famous for portraying the sadistic Cenobite Pinhead from the Hellraiser films, gets to play a human role for a change. He’s in virtual Pinhead mode here, snarling off a load of lines to his potential victims in an attempt to intimidate them. Chewing the scenery every time he opens his mouth, Bradley gets annoying rather quickly, though he does manage to back up his threats with actions. Once again, the ‘teenage’ cast does little to make themselves stand out from the crowd – I couldn’t even remember the names of most of them. British actress Camilla Arfwedson looks far too young and way too pretty to be a sheriff and does what little she can with the one-dimensional role.
One final gripe I have with this is in the ending. Yes, if you’re a follower of the series you’ll know that they end pretty much the same way (**SPOILERS – the cannibals survive whereas the teenagers don’t END SPOILERS**) but the finale to this one kind of left a sour taste in my mouth. There’s no major resolution. There’s no final showdown. It reminded me of an episode of Game of Thrones where all of the bad guys walk away grinning, leaving our heroes dead or dying. The set-up for another sequel is evident with the closing scenes.
Wrong Turn 5: Bloodlines still has some decent moments and delivers everything that you’d expect from a fourth horror sequel: plenty of carnage, buckets of blood, a few boobs for good measure and some cackling cannibal hillbillies. Like going to your tried and trusted pair of trainers when heading out for a run, it’s a familiar option which is well-worn now and making you want to get something new. Yeah, it’s a poor comparison but I’m running out of stuff to say when a film is this generic.