A team of scientists investigating climate change at a remote outpost in the Austrian Alps come across a mysterious organism which has thawed from the ice and has the ability to blend the DNA of multiple creatures, creating horrifying and very deadly hybrids. When infection spreads to human hosts and with an impending visit by a team of government officials, the group must fight for their lives to survive this terror.
With the spectre of The Thing hanging around it from beginning to end, Blood Glacier is a film with an interesting premise full of potential which doesn’t quite click into place. It should be unfair to pair the two films off against each other but when the front cover of the DVD brazenly states “A slice of horror reminiscent of John Carpenter’s The Thing” the film is asking for trouble. Blood Glacier is The Thing-lite and whilst that’s not a bad thing for a lot of the time, you really wish this one would kick in harder during the second half like Carpenter’s legendary sci-fi horror.
Blood Glacier has a strong opening half which sets things up nicely and provides suitable elements of mystery, suspense and a few moments of droll black humour. The atmosphere is sharp, the discovery of the strange glacier and resulting encounter with the mutated fox is unsettling and the scene is set for a thrilling second half. Only this never really materialises, delivering patchy moments of action, scare horror set pieces and a couple of bizarre plot twists. Several scenes are dragged out far longer than needed (for instance, the scene with the characters contemplating putting a dog down) and this kills any sort of momentum that Blood Glacier tries to build up. Just when things get interesting, the film takes its foot off the pedal and slows down. Thankfully, the foreign origins cement the film in reality, avoiding the insulting pitfalls of throwing in good-looking teenage characters and sexual elements like so many American horrors succumb to, and keeping the situation as plausible and believable as possible without getting too silly.
Blood Glacier uses the Alps setting to perfection. Like the greatest isolation horror films, the film conveys the sense of loneliness and sheer desperation of the group of people trapped in the middle of nowhere and facing an abominable monster. The cinematography is fantastic, with the vast natural beauty of the Alps doing the rest of the hard work in really hammering home the scope of the situation. Sadly, the characters populating this lush scenery are rather one-dimensional and unlikable, save for leading man Gerhard Liebmann’s bearded Janek character. The rest of the characters vary between being unpleasant or non-descript and neither is a good thing. Too many characters are introduced at the mid-way point to make any impact upon the film other than provide the monsters with a few more victims.
Blood Glacier earns major brownie points by sticking to practical effects for the most part, bringing to life it’s variety of mutated creatures with gooey old school make-up effects. Thanks to the creative idea behind the DNA mutating everything in its path, the film offers up a host of peculiar and monstrous hybrids including foxes, goats, beetles and eagles and it’s clear that the effects team had a field day coming up with ideas. The only problem is that you don’t get to see enough of them and when you do, they’re usually semi-lit, disguised with rapid cuts and flashy editing and move rather jerky and awkwardly when you do get a glimpse. The creature designers should have had more confidence in their effects because when they do get more than a fleeting moment of screen time, they look nightmarishly horrific. The goat-thing that breaks through a window at one point deserved more screen time.
The creatures don’t get to do that much in the film apart from make a few “boo” appearances and the body count is surprisingly limited as a result. There is enough gore on show to quench the lightest thirst of blood fans but those looking for wall-to-wall splatter will be disappointed. I guess gore wasn’t a priority for director Marvin Kren but given the nature of the DNA-splicing monster, the possibilities for some icky on-screen transformations ala The Thing are almost endless – an untapped wealth of set pieces have been glossed over for whatever reason.
I really wanted to love Blood Glacier but found myself disengaged with it. All of the necessary ingredients are present but the resultant blend is underwhelming and leaves you shrugging your shoulders wondering “what if.” It’s by no means the worst example of this genre but it is too light for its own good.