Plot
A bizarre spate of horrific burns in a Scottish village prompt scientists to
think that it's the work of a radioactive creature which has come from the
Earth's core and broken through the crust.
Review
Nigel Kneale refused to allow Hammer the use of the Professor Quatermass
character when they wanted to do a sequel to their massive hit The
Quatermass Experiment. It proved to be such a commercial success that a
follow-up film was inevitable. However Kneale wouldn't let them use the
character due to what he felt had been a weak
adaptation of his BBC serial for the big screen. Not being put off by this decision, Hammer
went ahead and made this Quatermass-style science fiction film anyway and just replaced
the main character's name. It follows the Quatermass blueprint almost to a tee and so much
so that anyone who had missed the title could easily mistake this for Quatermass.
Like the Quatermass films, the plot is believable and
the science is plausible and this makes it all the more interesting to watch.
Screen writer Jimmy Sangster, who would go on to pen some of Hammer's most
famous films, makes his Hammer debut here and although the plot isn't as tight
without Kneale's involvement, Sangster makes the best he can of literally
being saddled with the task of recapturing the essence of what made The
Quatermass Experiment as successful as it was.
X the Unknown
has a good mood and, with it being set mostly at night, there is
a distinct sense of "what is really lurking out there?" especially since we don't see
the radioactive creature for a long period in the film. There's also a real
attempt to make this more disturbing and horrific than anything Hammer had done
before it as we see a man get dissolved in grisly detail. It would look
revolting in today's films but for 1957, this is really X-rated stuff. One aspect of this film which it manages to nail is the
monster. This pre-dates The Blob by a few years and but the glowing,
jelly-like monster looks more realistic and definitely scarier because it's been
filmed in black and white. There are some dodgy-looking scenes involving
miniatures but the monster is used sparingly and is effective enough when it's
used. Hardly a memorable screen monster but infinitely better than the cheesy
50s science fiction monsters that America was churning out around this time.
Composer James Bernard is back to give us another creepy score to add to the
mood of the film and it's amazing just how much atmosphere and mood is built
through Bernard's use of sound. He's an unsung hero of the Hammer days.
Dean Jagger makes for a convincing scientist in the same mould as Professor
Quatermass, just not as brash or arrogant. However I liked those traits about Quatermass being the pompus scientist and the
cold way in which he would treat his
colleagues with contempt. You knew he could make tough decisions for the benefit
of his work and that is not
the case with Dean Jagger's Dr Royston. He's a solid replacement but just not memorable in the role
and his unemotional, rather bland performance gives us no one to really root for.
Michael Ripper makes his Hammer debut in this one. Ripper would be a mainstay of
the Hammer films for over twenty-five years, usually in minor roles such as
innkeepers or gravediggers.
Verdict
X the Unknown is still a good science fiction film from Hammer, proving
that when they did sci-fi well, they did it excellently. Those people, like
myself, looking for a regular fix of a Quatermass-style film can be rest
assured this is as close as you'll get to the real thing.