Popcorn Pictures

The 3-D gimmick isn't enough to save this terrible sequel.

The most universally hated sequel of all time is a ridiculous concoction of bad editing, terrible script and awful effects.

The guidos and guidettes of Jersey Shore have more than trashy relationships to sort when killer sharks arrive off the coast.

Underappreciated and underrated sequel to an all-time great which gets unfairly maligned.

Escape from New York meets Anaconda in this low budget formulaic snake flick.

Late Hammer horror which is one of their strongest vampire films, if not one of their best overall.

More cornball kung-fu horror comedy antics with Mr Vampire and his bumbling assistants.

Hammer's final mummy film doesn't feature a bandage-wearing monster.

Beware the beat of the cloth-wrapped feet in Hammer's third mummy movie.

Hammer made virtually a remake of The Mummy, only without any of the things that made one that such a classic.

The last of Hammer's initial "big three" horrors isn't as strong as the other two but is still a damned fine example of British horror.

Attempting to revive the quaint old school British horror anthology in the 80s wasn't a good move amidst the teen slashers.

Hammer's sole venture in werewolf territory is only saved by a brilliant debut performance by Oliver Reed.

The first of Lucio Fulci's unofficial Gates of Hell trilogy is a mind-bending mix of surreal imagery, visceral gore and utter nonsense.

Generic teen slasher with a slightly post-modern twist in the tale - only virgins need to worry about this killer!