Widely considered one of the better films in the Hammer catalogue, this sequel sees the improbable return of Cushing's Frankenstein.

Solid mid-60s effort from Hammer is one of their best standalone horror films.

Hammer's final prehistoric outing is their worst - and despite the title, there's no dinosaurs!

Late Hammer horror which is one of their strongest vampire films, if not one of their best overall.

Hammer's final mummy film doesn't feature a bandage-wearing monster.

Beware the beat of the cloth-wrapped feet in Hammer's third mummy movie.

Hammer made virtually a remake of The Mummy, only without any of the things that made one that such a classic.

The last of Hammer's initial "big three" horrors isn't as strong as the other two but is still a damned fine example of British horror.

Hammer's sole venture in werewolf territory is only saved by a brilliant debut performance by Oliver Reed.