Children of the Corn 666: Isaac’s Return (1999)

Children of the Corn 666: Isaac's Return (1999)

The latest and most horrorfying chapter…

Hannah travels back to her hometown of Gatlin in order to trace her biological mother. Unbeknownst to Hannah, she is the key figure in the fulfilment of a prophecy foretold by Isaac, the cult leader of the corn-god worshipping children who slaughtered their parents many years earlier. Her arrival awakens Isaac from a fifteen year-long coma and he sets about putting his plan in motion to bring about ‘He Who Walks Behind the Rows.’


It’s hard to believe that they churned out as many sequels to such a mediocre horror film as Children of the Corn. I can understand the likes of Freddy, Jason or Michael Myers getting constant sequels in their respective franchises because they’re pop culture icons now, not just horror characters. But Children of the Corn? There was hardly enough mileage for one film, let alone an entire franchise.

Children of the Corn 666: Isaac’s Return plays out exactly like a tired sixth instalment of a franchise would. Short on fresh ideas and bogged down by previously poor sequels, the film wisely opts to act as a direct follow-up to the original, pretending that the other films never happened. It’s a smart move as it allows some breathing room in the story but then again, the story was never short of breath to begin with. In trying to replicate the original by bringing back its main villain, Children of the Corn 666: Isaac’s Return just shows how tedious the formula has become – or rather how tedious it was to begin with. The problem with these sequels is that they all blur into one because they’re so unmemorable.

At least the series finally shows a bit of continuity here with the return of Isaac, once again played by actor John Franklin who doesn’t look to have aged one bit since his original appearance. But then again, I thought that character was killed off, not simply drifted into a coma where he was forgotten about while the rest of the sequels took place. Isaac’s return is the big lure for this sequel as he was a creepy and nasty piece of work before and could have worked well as the antagonist once again. Franklin co-wrote the script and it’s blatantly obvious that he’s trying to carve himself a niche here by transforming Isaac into a horror icon that can become the focal point of the series. You’d think that Franklin would do himself some favours with the script but all he ends up doing is giving Isaac a load of nonsensical Biblical dialogue which will irritate everyone to no end. He’s no Freddy Krueger when it comes to the gift of the gab.

Children of the Corn 666: Isaac’s Return has its best moments early on as the script tries to tie the film in with the events of the first one. Isaac starts off strongly as the focal point but as the film goes on, it becomes less about him and more about the new group of children that are worshipping He Who Walks Behind the Rows. Isaac’s return then becomes a side-issue as the film leads into a stupendous final third in which logic goes out of the window, plot holes increase in size ten-fold and common sense is ignored. Characters see dead animals everywhere which are revealed to be warning signs. Events occur which are then revealed to be dream sequences. This rug-pulling is only effective once or twice in a film before the audience gets annoyed at the cheap tactics being employed by the writers and Children of the Corn 666: Isaac’s Return outstays its welcome long before it should.

Thankfully, at eighty-two minutes, the film doesn’t spend too long writhing around in its own agony. The same can’t be said for the respectable names who appear in the cast. Some well-known actors like Stacy Keach and Nancy Allen appear in supporting roles but they look embarrassed to be here and I don’t blame them. Keach hams it up to no end as a crazy resident and Allen looks to have walked in off another set. The only shining light is newcomer Natalie Ramsey who plays the lead role. She does a good job in investing her character with a little spirit and pluckiness (plus it helps that she looks mighty fine doing it too). But she gets lost in the mix, a victim of some daft script decisions which have her flitting between being a clever know-it-all who will never fall victim to these kids, and a Penelope Pitstop-style dim heroine who seems to stumble into every problematic scenario possible.


Having been in a coma on life support for the years since the original, you’d have thought Isaac would want to come back with a bang and relish his new lease of life. Instead, Children of the Corn 666: Isaac’s Return brings him back with a whimper and realisation that his plug should have been pulled years earlier, along with the franchise.





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