Texas Chainsaw (2013)

Texas Chainsaw (2013)

Evil wears many faces.

When word gets out about what happened at the Sawyer farmhouse, Sheriff Hooper heads straight there to demand that they hand over the perpetrator. With the Sawyer clan fortified inside and refusing to come out, an angry mob descends upon the building and torches it to the ground after a shoot-out. One of the mob finds a survivor in the barn along with a baby girl. Taking the baby and killing the mother, the man decides to raise her with his wife who was unable to have children. Moving ahead to the present time, Heather is a now a young woman who receives papers to say that she has inherited a house from a grandma she didn’t know existed. Finding out that her parents aren’t her biological parents, Heather and some of her friends head to Texas to check out the house, unaware that Heather isn’t the only descendant of the Sawyer clan left.


The Texas Chainsaw Massacre is one of horror’s greatest films. One of the most brutal, unrelenting ordeals of all-time, as the years go by it seems that the film becomes more and more appreciated for the nightmarish masterpiece it is. The grainy, pseudo-documentary style brought to life the horrors of Leatherface and his cannibal family in shockingly realistic fashion. It’s an assault on the senses and makes you feel like you need a shower after watching because you’ve been put through the ringer along with the cast. With the horror boom in the 80s, it was only a matter of time before someone went back and revisited the iconic Leatherface and a couple of sequels followed, none of which did the original any justice whatsoever. Then way back in 2003 (that sounds really weird saying that but its eleven years ago!), Platinum Dunes kicked off the whole horror remake fad with their pretty decent re-imagining of The Texas Chainsaw Massacre. A prequel followed which wasn’t so decent and Leatherface was sent back into oblivion….until now.

The Texas Chainsaw Massacre films have never adhered to continuity. The patchwork sequels picked and chose what parts of the original they wanted to follow on from and never followed on from each other. The Platinum Dunes remake in 2003 and its resultant prequel exist in their own bubble. Now along comes a glossy sequel which would have fit in better with the modern films but decides to go back to its roots instead. Texas Chainsaw kicks off minutes after the moment that the 1974 original ends. Yes, despite the passage of thirty-nine years of real life, the film decides that it would be a great idea to deal with the immediate aftermath of the original attacks. Talk about confusing – most of this film’s target audience will wrongfully assume that the 2003 remake is the only ‘original’ out there anyway.

Whilst the idea is nice in theory and it is executed as best as it has any right to do to begin with, it doesn’t quite fit right with the original due to the cleaner, glossier digital print. Then come all of the temporary lapses in logic that this film doesn’t have answers for if we take the thirty-nine years between films as being some reflection of film time (given the cars and clothing from the 70s in the prologue and the iPhones from the 2000s and 2010s used in the modern part of the film). This would make Leatherface about sixty so why is he so agile and spritely? Why does Heather look like she’s in her early twenties when surely if she’s a baby in the 70s she’d be pushing her forties?

Texas Chainsaw’s faults lie squarely at its bizarre script. Not only is there the questionable decision to follow on from the original but the narrative then sets about becoming a poor man’s remake of the original, with similar set-ups and death scenes (mallets to the head and bodies thrown onto hooks after investigating strange rooms). Leatherface is clearly the antagonist, smashing and slicing the teenage cast with his usual array of meat-cutting utensils. The sad thing is that we saw all of this during the recap of the events of the original and so showing us newer versions of the same scenes just keeps reminding us of how superior the original was. Granted the film is quite bloody during this first half, with one unlucky victim being chainsawed in half being amongst the scant highlights. The film tries to make use of its 3-D gimmick as best as it can but most of the shots are predictably pointless. This half completely goes against the grain of the original, showcasing gory set pieces and throwing CGI blood around like confetti in an attempt to mask its blatant shortcomings.

However in the final third, there is an even more random development where Heather finds out she is related to the Sawyers and due to events in the film, Leatherface becomes her saviour – despite the fact that he just butchered her friends. The novelty of seeing Leatherface as an anti-hero wears off in about two minutes when you realise he just does the same things only to different people. This kind of sums up the whole film: once certain novelty factors have worn off, Texas Chainsaw is just your very average, sub-par rather, teen horror film which just so happens to include one of horror’s most iconic characters. Remove Leatherface, rename the film something else and you have any number of backwoods horrors with demented hillbilly killers beating a path of destruction through a teenage cast. Throw in some generic ‘boo’ scares, a contemporary soundtrack which doesn’t invoke any sort of atmosphere whatsoever and a bunch of unlikeable, one-note characters and you’ve got pretty much any teen horror film released in the last fifteen years.

Three former Chainsaw alumni appear in roles in a nice nod to the films that preceded this one: the original Leatherface, Gunnar Hansen, pops up as one of the older Sawyers in the introduction; Bill Moseley, who played ‘Chop Top’ in The Texas Chainsaw Massacre II, takes over from Jim Siedow as Drayton Sawyer for the introduction; and Marilyn Burns, who was put through the ringer by the cannibal clan in the original, is Verna Carson, Heather’s grandmother, who tells her of her family ties.

One last gripe: why knock off the Massacre part of the title?


Perhaps we’re entering into a new phase of horror. Instead of the pointless remakes, will Texas Chainsaw kick off a fad where sequels are made to films which are thirty and forty years old in an attempt to appease both fans of the original and introduce them to a younger audience? Actually, I doubt it. Texas Chainsaw is dire. Even younger genre fans will smell the foul stench of death a mile away. Leatherface is an old man now and it’s about time he was retired permanently. Texas Chainsaw is such a wasted opportunity to kick off a real series of linked sequels and reboot the legend of the Sawyer family for a new generation.





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