"Enjoy the show."
Kylie is a beautiful young college student who, needing money for tuition after her father dies, moves into a secret all-girl house that streams content to an X-rated website where punters can login to chat to the girls and watch them strip. After she offends one of her fans, he hacks in to determine the house’s location and proceeds to track her down. Soon Kylie and the other girls find themselves in a terrifying fight for their lives.
I was just thinking the other day that I hadn’t seen a good solid slasher in ages. Having picked up a copy of Girlhouse on its day of release and reading the less-than-exciting blurb on the back of the DVD about the college girls-webcam-psycho setup, I had a feeling I would be in for a longer wait. Sure, Girlhouse is a typical slasher flick and it doesn’t do anything remotely different from the staple formula that the slasher boils down to but it’s the way in which it does the essentials that makes it such an entertaining ride. Girlhouse is the best modern slasher film I’ve seen for a while.
Don’t get me wrong, Girlhouse is no different to hundreds of slashers that have come before it: hot, scantily-clad young women; a masked male killer; a remote location; bloody and graphic murder scenes; and so on. The film is simple and borrows the standard issue ‘angry, sexually-frustrated man wronged as a child/teenager commits acts of unspeakable terror when he’s older’ plot which so many classic slasher films ran with. Adding new technology into the mix really gives Girlhouse that cutting edge. In a digital age where you are just three clicks away from finding graphic porn on the internet (allegedly!) and in an era where anyone can hide behind a keyboard and pretend to be someone they’re not, it’s good to see a film attempting something a little different and contemporary. Mixing footage from the Girlhouse webcams, the viewpoint of the computer screens and the traditional camera shots, the film uses a variety of perspectives to reveal or hide certain things (in particular the killer when he turns up). On the negative side, I’m sure Girlhouse will date a lot quicker as technology advances and internet habits move on.
Girlhouse does take a while to get going after the opening scene but this is essential in building up some of the characters, particularly the relationship between Kylie and Ben. Kylie isn’t just a bimbo like the other girls in the house but someone who is only doing what she is doing because she’s desperate. Keeping her humanised and rooted in reality keeps the audience from wanting to see her suffer because she’s sexually provocative. What also works, surprisingly, is the cast of female characters. Yes they’re all easily summed up in one-word clichés (stoner, bitch, etc.) but the actresses behind the characters actually put some effort in and ended up performing way better than they have any right to do in a slasher film. Ali Cobrin, as well as looking stunning, makes for a very sweet and likeable Final Girl in Kylie but the rest of the girls all play their part. They’re developed well enough to make you care for them, even the nastier ones. Of course it helps that they’re all very attractive young women to which the camera certainly panders a lot of attention to. In many ways, the audience is put into the position of Loverboy as we watch the girls through the various web cams around the house. Despite the nature of the webcam content, the film rarely feels gratuitous even if some of the girls do get naked.
It’s when Girlhouse starts putting the girls through the ringer that you begin to realise just how much the characters have grown on you. From some pretty brutal and exploitative death and torture sequences, the girls are tormented and savaged beyond belief. This is not a film which springs up a load of novelty death sequences but the way in which the various dispatches are handled is excellent. Lots of realistic gore is thrown around, particularly a brutal dis-fingering of one unlucky girl. The fact that the production values are clearly high class really livens everything up too. The film looks good, the editing is spot on and the lighting is all designed to create atmosphere and suspense.
Loverboy is an intimidating presence as a slasher. Played by Slaine (what a name), his portrayal harks back to Gunnar Hansen’s classic physical portrayal of Leatherface in the original The Texas Chainsaw Massacre. He charges down his victims, using sheer physicality and brute force to overpower them. Let’s face it, very few cinematic slashers would be successful in real life as they’re too slow and methodical. This guy just pulverises his victims, using his body weight and strength to take them out which would seem more realistic as they’re not just going to stand around waiting to die in real life. What really sets Loverboy apart from other generic killers (and he does look very generic when he dons the wig and mask) is that he’s a sympathetic character we can actually empathise with. He’s just some ordinary Joe who was a little nervous around girls in real life and started using the internet to get attention from the opposite sex – sounds like any number of lonely heart stories you hear about in the news. You can’t really give him an excuse for the horrific actions that he eventually takes in the film though.
Girlhouse does the usual slasher thing with gusto, presenting us with a decent group of likeable characters, plenty of unique approaches to the formula and, above all, delivering punch when it matters. It’s hardly going to reinvent the slasher wheel but it keeps it turning pretty quickly.
Director(s): Jon Knautz, Trevor Matthews
Writer(s): Nick Gordon
Actor(s): Ali Cobrin, Erin Agostino, James Thomas, Alice Hunter, Alyson Bath, Adam DiMarco, Slaine, Elysia Rotaru
Duration: 101 mins