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Popcorn Fall

Popcorn Pictures

Reviewing the best (and worst) of horror, sci-fi and fantasy since 2000

Man's Best Friend (1993)

  • Writer: Andrew Smith
    Andrew Smith
  • Aug 4
  • 4 min read
"Nature created him. Science perfected him. But no one can control him."
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Plot

A genetically mutated dog is accidentally released from the labs at EMAX when a nosey female reporter breaks in to uncover the illegal animal experiments going on. The dog takes a shine to her and follows her home where she soon decides to look after him. Endowed with greater intelligence, the ability to change its colour like a chameleon and enhanced strength, the dog at first becomes the ideal pet. But when its drugs start to wear off, the dog turns into a ferocious killer.

What do you get if you cross the ferociousness of Cujo with the cuddliness of Beethoven? The answer is Man’s Best Friend, a slobbering entry in the ‘nature runs amok’ sci-fi horror films of the past which stars one of man’s most loved domestic pets. I’ll get this off my chest now and state on the record that I hate dogs and am scared stiff of them. Small dogs I can handle to a degree, knowing that with my height and stature, I’d be able to deal with a Yorkshire terrier or poodle if one tried to have a go. However, the big dogs are what really scare the crap out of me. So the thought of a German Shepherd, a St Bernard, a Rottweiler or any number of insanely big dogs turning into rabid killing machines is to me, what spiders and snakes are for many other people. Man’s Best Friend is perhaps a little too ridiculous and over-the-top to be considered scary but the underlying themes are still enough to make me want to wear dark trousers if I had to watch it again.

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Thankfully the makers of Man’s Best Friend take the ridiculous premise and manage to make the most of it, churning out a reasonably watchable film in the process which borders on slasher territory at times, substituting a machete-wielding, hockey-mask wearing psycho for a monstrous dog. The script makes a decent stab at creating a realistic canine killing machine. The enhanced intelligence and strength bits are fine to believe in but the whole notion of genetically engineering the dog so that it can turn into a chameleon is taking things too far. It’s a dog, not the Predator but the scenes of it blending into a background full of cardboard boxes and rust metal is not plausible in the slightest. Rest assured: you’ll be treated to the dog’s POV when it’s hunting people down. Maybe this is a dog version of Predator after all.


Max, the Tiebtan mastiff, is quite loveable when he isn't killing people or thinking of killing people and he's totally the sort of dog you'd love to take home (if you liked dogs!). However, he does like to kick off in style and isn’t afraid of sabotaging bike chains and the like to get the job done. There are a few dog clichés put in here - the paper boy, the mailman and of course, next door's cat - and you'll not exactly be shocked to find the outcome of any of those escapades. These are fine on their own as again, it's all perfectly acceptable and recognisable iconography to play upon for dog lovers. But when the dog starts urinating and melting fire hydrants (and then people’s faces) with said urine, then things get a little out of a hand. Sometimes the script keeps things level-headed and believable but then in the next breath, it’s doing crazy things like this and being a little too daft for its own good. Throw in a bit of unfortunate dog rape and you're never quite sure whether you should be disgusted with the whole thing or laughing at how ridiculous it gets.


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Apart from Max, the cast isn't too bad either. Ally Sheedy is basically reprising her Short Circuit role here, only with a killer dog instead of a killer robot. Whilst Sheedy is her usual self and likeable enough to warrant a pass, her character isn't and a lot of the plot revolves around her poor decision making. Lance Henriksen picks up another pay cheque (at least the man is feeding his family, you can credit him for that!) as the dodgy scientist but doesn't phone it in and adds plenty of intensity. Given his journeyed career, Henirksen probably realised just how silly it all was and acted accordingly whilst everyone else is trying their best to impress. At least with a few familiar faces on board, the film doesn't stray too far when the dog isn't killing people.


Man's Best Friend arrived during a tough time for the horror genre in the early 90s so it's no surprise to see it's a total mixed bag of ideas, with producers, directors and writers all looking to find lightning in a bottle and kick off a new franchise. Director John Lafia directed Child's Play 2 and co-write the original so he knew a thing or two about creating something effective that people would remember. The problem here is that the dog is too lovable and the tone sways too much from serious to silly so any chance of creating an effective horror film is torpedoed from the start. Even the suggestions of a sequel, with Max's offspring, seem a bit of a desperate attention grab by the writers when they realised they had messed up the film.

Final Verdict

You will have to suspend your disbelief for a fair chunk of its running time but Man's Best Friend takes, what was on paper anyway, a pretty absurd idea and turns into a highly watchable sci-fi horror romp. I just wish they’d have put a ceiling over the silliness and kept it relatively believable. Invisible dogs with acid wee... come on!


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Man's Best Friend


Director(s): John Lafia


Writer(s): John Lafia


Actor(s): Ally Sheedy, Lance Henriksen, Robert Costanzo, Fredric Lehne, John Cassini, J.D. Daniels, William Sanderson


Duration: 86 mins


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